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UK Grim
More popular than ever, but at a cost
Robert is the Managing Editor of The Wee Review and has been writing for the site since 2014. Previously, he was manager of the Yorkshire arts website, digyorkshire. Having worked in the arts, charity and horseracing sectors, he is now a full-time software engineer and lives in Edinburgh with his partner and two young daughters.
843 articles
Orbital
Optical Delusion
Dance pioneers tenth bears the hallmarks of the pandemic
Short Com treats Edinburgh and Glasgow to the best in comedy shorts
Festival whose alumni have gone on to TV and award success showcases 50 films from the best new international talent
Jerry Sadowitz
Not For Anyone
Diabolical in service of deeper truths; the Fringe doesn't realise what it's missing
Ruth Hunter and the Ruth Hunter
Atmospheric haunted-during-lockdown premise rarely transcends its personal subject matter
Eryn Tett Finds Her Audience
Intriguing surrealist stand up/market research exercise/vision of a dystopian comedy future
Pip Utton as Dylan
A final bow for rock's great enigma, and for the Fringe's great solo performer
Louise Leigh Amused
Refreshingly unselfconscious comedy about the perils of midlife
Mark Silcox: I Can Cure... [Perfect and Arena-Ready Show]
Same man, same show, leaves hardcore fans bitterly betrayed by its popularity
Towards a better reviewing culture
Editor Robert Peacock renews calls for a summit to ensure a healthier critical environment for 2023